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Phillip Maisel
While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves. Elements used in various stages of photographic processes (color filters, glassine, and prints themselves) are integrated back into the artwork either as part of the sculpture or as collage elements that are later added to the print. In some of the works, Maisel cuts into the prints themselves.
© » KADIST
Lenka Clayton and Phillip Andrew Lewis
Five Hundred Twenty-Four, a single-channel video installation by Lenka Clayton and Phillip Andrew Lewis, features singers from over twenty Cleveland-area choirs counting numbers in an iterative process: one person sings “one”, then two people sing “two”, and so forth, to 524. Each choir was filmed separately, and the artists weave together the audio while the video features each choir individually. The juxtaposition of different contexts in which singing occurs functions as an embedded sociological study of various communities throughout the region.
Phillip Maisel
- location: San Francisco, California
- year born: 1981
- gender: male
- nationality: American
- home town: Chicago, Illinois
Lenka Clayton and Phillip Andrew Lewis
Lenka Clayton and Phillip Andrew Lewis’s collaborative practice is social at its core: it engages with and connects communities outside of the so-called art world in both production and presentation...
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2010-2019
Phillip Maisel
2015While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves...
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2020-2029
Lenka Clayton and Phillip Andrew Lewis
2022Five Hundred Twenty-Four, a single-channel video installation by Lenka Clayton and Phillip Andrew Lewis, features singers from over twenty Cleveland-area choirs counting numbers in an iterative process: one person sings “one”, then two people sing “two”, and so forth, to 524...